Recently I joined ArtKos, a group of people interested in political art, and my friend Kayakbiker and I submitted some work for a book for YearlyKos. Through ArtKos, I learned of some wonderful political artists and they are allowing me to present some work here. (A longer version of this piece is cross-posted today at http://www.democracycellproject.net)
Emily Duffy, an East Bay political and car artist, has presented political art via DailyKos diaries and her political art blog, and recently highlighted the work of Kelly Lyles, from the Pacific Northwest. I can see these "Rodent Dictators" live later today in my own backyard at CITIZENS IN HELL, ArtCore studios, Seattle, WA.
The following is adapted (with her permission) from Emily's article about artist Kelly Lyles.
(copyright Lyles 2007)
Rodent Dictators by Kelly Lyles
In the troubled postwar [world war I]period Mussolini organized his followers, mostly war veterans, in the Fasci di combattimento, which advocated aggressive nationalism, violently opposed the Communists and Socialists, and dressed in black shirts.... Amid strikes, social unrest, and parliamentary breakdown, Mussolini preached forcible restoration of order and practiced terrorism with armed groups.
Mao's record is dominated by two disastrous initiatives: the "Great Leap Forward," a broad campaign to organize peasants into communes during the late 1950s that resulted in mass starvation and repression; and the "Cultural Revolution," a youth- and army-driven nationwide campaign for ideological purity, again resulting in widespread repression and death.
No doubt you know plenty about the George W. Bush's anti-democracy presidency. In Kelly's triptych Mr. Bush is in very compatible company.
(Emily writes): I've known Kelly Lyles for over a decade and we liked each other immediately upon meeting at the first San Francisco ArtCar Fest. We're both ArtCar artists as well as trained fine artists. We also both love to dress up in outrageous costumes whenever possible.
Kelly has somehow been able to do what so many artists haven't been, carve out a living as a full-time artist and avoid "working for the man". That freedom, coupled with economic necessity, has allowed Kelly to branch out into many media and take risks other artists fear. She'll try most anything and she works intensely on her multitude of projects. The few times I've stayed with Kelly she ran me ragged with her schedule. Kelly is one of Seattle's favorite Art Mavens. She's at all the splashy parties, she knows who's who, she's done many commissions and she is either making art, thinking about it, or trying to sell it. It's a full time, non-stop vocation for her and the world is definitely better for it.
Below you will see one of five pigs Kelly decorated for the city of Seattle. While Kelly can definitely hold her own with classically trained figure painters I think her rodent paintings are probably my favorite of her works. These cute, pun-traits of squirrels, rabbits, and hedgehogs poke fun at modern human life, religion, sexuality, and food. She draws out chuckles while forcing us to face our sinful habits. Kelly also does pet portraits. Kelly's house and art studio were recently featured on HGTV's "What's With That House".
I hope Kelly will do more overtly political art. Her wit, and facility with paint, makes for a perfect satirical combination. I featured one of her earlier pieces, on DailyKos, President's Cabinet last year.

We artists spend so much time in isolation (creating our work) that we never get enough feedback from the public. That is one reason Kelly and I have created artcars. More than any art form, the kinetic display of one's art on a vehicle brings creativity into daily living.
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